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Photograph
Merce Cunningham and Morris Graves, Seattle, August 28, 1950
Order an ImageDancer and choreographer Mercier Philip "Merce" Cunningham (1919-2009) was studying acting at the Cornish School in Seattle in 1939 when Martha Graham saw Cunningham dance and invited him to join her company. Cunningham immediately moved to New York and remained at the forefront of the American modern dance for more than 50 years. He also frequently collaborated with artists from other disciplines, producing works that had a profound impact on avant-garde art beyond the world of dance.
In this image Merce Cunningham, left, sits with painter Morris Graves, possibly in conjunction with Graves' exhibition at Seattle Art Museum. Cunningham had known Graves from Seattle's fertile late-1930s cultural scene. Graves (1910-2001) was one of the defining artists of the "Northwest School," an art movement which combined natural elements of the Puget Sound area with traditional Asian aesthetics to create a novel and distinct regional style.
Caption information source: The Seattle Sunday Times, September 3, 1950, page 37
Caption information also derived from captions written by Post-Intelligencer staff and attached to the back of the photograph.
In this image Merce Cunningham, left, sits with painter Morris Graves, possibly in conjunction with Graves' exhibition at Seattle Art Museum. Cunningham had known Graves from Seattle's fertile late-1930s cultural scene. Graves (1910-2001) was one of the defining artists of the "Northwest School," an art movement which combined natural elements of the Puget Sound area with traditional Asian aesthetics to create a novel and distinct regional style.
Caption information source: The Seattle Sunday Times, September 3, 1950, page 37
Caption information also derived from captions written by Post-Intelligencer staff and attached to the back of the photograph.
ID Number: 2000.107.078.02.01
Date: 1950
Creator(s):
Barrett, Larry, Photographer
Physical Description: 1 photographic print : b&w ; 8 x 10 in.
Additional Information: Digital copy of this item available thanks to funding from a 2016 Institute for Museum and Library Services grant. Metadata updated as part of a grant from the Institute of Museum and Library Services administered by the Library Services and Technology Act, through the Washington State Library, a division of the Office of the Secretary of State.
Credit: MOHAI, Seattle Post-Intelligencer Collection, 2000.107.078.02.01, photo by Larry Barrett
Copyright: All Rights Reserved